Wednesday, December 9, 2009

The Revision Game, Part one--2nd drafts: The Big Picture

(x-posted from my blog)

On my blog last month, Cher asked me to go into more specifics about how I revise novels. I didn't get a chance to post on the topic during the NaNo challenge, so I thought I'd delve into it now. In parts. Yes, I'm breaking it down that much.

Those of you who won NaNo last month are hopefully still racing toward those magical words "The End" (or maybe some of you have hit them already). But what do you do after you reach those words?

Personally, I close the file. Then I don't open it again for at least two weeks (if at all possible). During that down time I work on other projects, write a short story, talk to my neglected husband, read as many books as I can without my eyes rolling out of my head, whatever--the point is to let the dust settle on the story I just finished. (**Note: I highly recommend still writing something while letting a first draft sit. It takes about 3 weeks to form a habit, so if you slip out of the habit of writing, you have to force yourself to the keyboard again.)

After letting the first draft sit a while, I've found I can return to it with much more objective eyes. Once the dust has settled, I read the draft in its entirety, just to see what is on the page. I also make notes as I'm going along. Not in-line, nit-picky notes, but big picture notes. Reading a first draft can be painful, and it's sometimes hard not to jump in and start fixing stuff right away, but it is important to read through the whole book. I usually run into some scenes that make me cringe with how bad they are, but I also run into scenes that go unexpectedly well, or where I laid a foundation for a plot element I didn't even plan to work with but now I see where it could fit and make the story so much stronger.

By the time I finish reading, I typically have a lot of notes. Things like: Such-and-such character is flat or goes through an abrupt personality change in chapter X; ABC plot line totally dropped; XYZ scene lacks tension; and so on. For the most part, everything I list in my notes affects the book as a whole or at least several scenes. So, my second draft is focused on fixing the issues in my notes.

This is the big stuff. I'm not going to slow down and make sure all the dialogue and descriptions are perfect at this point. I'm just going to work on the big issues.

Mostly fixing these issues are about asking myself questions and implementing the answers. Character has a personality problem? What is their motivation through out the book? What are they thinking? What do they need/want? Plot line was dropped? How can I weave it back into the chapters? Scene not working? How else can I get from point A to point B? What is the worst possible thing that could happen at this time? Can it happen? (ect.)

If I didn't work this way, if say, I polished chapter 1 until it was 'perfect' and then I got to chapter 11 and realized 'hey this is a cool plot element, let me work it in early to set this up better' or 'huh, this character doesn't work. She hasn't been acting at all in character' I would have to go back to the beginning and I would lose a lot of the work I did. So, big stuff first. Second draft (for me) is all about making sure the story is being told.

Okay, I think I've rambled on enough for one post. Check my blog later for part two (3rd drafts: Scene by Scene).

Happy Hump day everyone!

No comments: